Join Me for Writing Sessions in Dorset, Devon and Cornwall

Currently, for the rest of 2025 I’ve got three Creative Writing teaching sessions booked in. They are all in person, so apologies for all those who live a bit further than the South / South West of England. Keep a look out for an online course in the near future.

27th June: Bournemouth. I’m teaching a two and a half hour session on plot as part of Bournemouth Writing Sanctuary. The event last three days and includes teaching from other writers including Judith Heneghan, writing time, lunch and dinner, and networking with other writers. More information here.

4th July: Penzance. I’m teaching a two-hour workshop on the Art of Editing Your Own Work. More information here. This is part of the Penzance Literary Festival, where I’m also being interviewed about my writing. Book for this event.

24th November to 29th November: I’m back at Arvon, but this time in Totleigh Barton, Devon, teaching Editing Fiction and Non-fiction together with Chatto & Windus (Penguin) Editor, Kaiya Shang. Find out more.

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Pre-Order ‘Unquiet Guests’: Spooky Stories Await

I’m delighted that I have a short ghost story included in this spooky anthology, Unquiet Guests, and alongside such amazing authors as Chuck Palahniuk, Kirsty Logan, Irenosen Okojie, and Alison Moore. The book will be published by Dead Ink Books at the end of October 2025. Dan Coxon is the editor and commissioned us each to write a story about a haunted house.

I started my story some time ago about two sisters who arrive at their father’s house, after he has died. One of the sisters has the key and is waiting for the other. About a month after I’d written the first draft, devastatingly my own father died. Two days later I realised I was outside his place with the key, waiting for my sister to arrive…

The book is available to pre-order now, in the UK (I’m not sure whether it will be published in other countries), either via Dead Ink Books, or Waterstones, and it will drop through your letterbox at the end of October.

Happy reading.

Hunger and Thirst: My New Novel Coming in February 2026

Delighted, excited and terrified… My sixth novel, Hunger and Thirst will be published by Fig Tree (Penguin) in February 2026 in the UK and Commonwealth, Tin House in the US, and Bond Street Books (Doubleday) in Canada.

“Ursula, a renowned, reclusive sculptor find the past she has been running from catching up with her when a documentary-maker begins to dig into the unsolved disappearance of someone Ursula knew back in the 1980s. Set in and around a local art school and steeped in the atmosphere of the horror films Ursula watches, it’s a compelling and chilling story of loneliness and possession, of the dangerous line between wanting and needing and of how far a person will go to belong.”

It’s been great fun rewatching all my favourite horror films from the 1970s and 80s, and drawing on my memories from that time, when I was an art student studying sculpture and living in what was essentially a squat. Ghost stories and horror novels were the first books I read as a teenager, and it’s been interesting (and difficult) to see whether I can write something a little bit scary.

Creative Collaborations: Flash Fiction Inspired by Burnham

Last year I was delighted to be invited by Buckinghamshire Culture to get involved in their Village Stories project. As well as commissioning a photographer and a choreographer to take photographs of the people from three Buckinghamshire villages, three writers were asked to work with the villagers on writing projects. I was given the village of Burnham, near Slough, and during a week in September 2024, I delivered three flash fiction workshops to community groups, and one open session in Burnham Library.

I took photographs of the village and handed these out as inspiration for the pieces of writing that were created by Slough Writers (a group which meets in Burnham), Men in Sheds, Burnham Grammar, and the library session. And I was amazed and delighted by the pieces which were produced.

In addition, I was commissioned to write two pieces of flash fiction – also inspired by the photos I took, and these, together with the villages photos and the work by the other writers were produced in a booklet.

In November we had a celebratory evening in Burnham where the village photographs – inspired by Bruegel, were unveiled, and several people who had attended my flash fiction workshops came along and were brave enough to read out their pieces.

It was a wonderful project to be a part of.

If you’re interested in me collaborating with anything similar, please get in touch.

Free Creative Writing Workshop in Wantage

Set free your creativity and dive into a FREE two-hour creative writing workshop with me on Saturday 30th November in Wantage, Oxfordshire. Whether you’re an experienced writer or a complete beginner, this course will ignite your imagination and hone your storytelling skills and have you crafting a (very) short story using photographs as your starting point.

We’ll look at a couple of examples of published flash fiction stories to discuss what makes them work, and then you’ll get straight down to doing some writing. Using photographs supplied by me, I’ll guide you through ways to start your piece, think about character, action, and how to end it. And then briefly we’ll consider how to edit what you’ve written.

The workshop is free but spaces are limited and you need to book in advance by emailing wantage.library@oxfordshire.gov.uk or phoning 01235 762291

Hope to see you there! (Bring your own laptop or notebook and pen.)

(If you’re interested in me coming and teaching this workshop in your local library or independent book shop, then get in touch.)

Join the Arvon Editing Retreat in January 2025

I’m delighted that I’ll be back at Arvon in January 2025 teaching Editing Fiction and Non-fiction again.

Are you currently editing a novel or some non-fiction? In January 2025 I’ll be back teaching on an Arvon residential writing week in Shropshire on how to edit fiction and non-fiction, this time alongside fellow writer, Mike Parker. Mike’s books include the bestselling Map Addict, republished last year, On the Red Hill, which was Highly Commended for the Wainwright Prize and won the Wales Book of the Year, and his most recent, All the Wide Border, named by Waterstones as one of the best ten travel works of 2023.

And I’m very excited that our guest author, visiting for an evening discussion is Kit de Waal, author of novels, My Name Is Leon, The Trick to Time, as was short stories.

From a developmental review to the fine detail of the line edit, from comprehensive rewrites to the final polish, using exercises, readings, discussions and tutorials, we’ll share techniques, tips and best practices which will help you hone your voice, clarify your thoughts and transform your writing. Along the way, we’ll talk about the detail of hitting word-editing counts, creating and working with book maps, and how to break down your edit into manageable tasks. You will leave with a better understanding of how to know what needs changing, and how to know when it’s done. Whether you’re already published or just starting out, this course is for anyone with a draft that they want to bring to its best.

The week includes group teaching, workshops, one-to-ones with the tutors, as well as evening activities, accommodation and all meals. This writing week is held at wonderful house called The Hurst set in beautiful and inspirational grounds in Shropshire.

Arvon residential weeks are immersive, energising, and great fun!

More information / to book.

Insights from Festival America 2024: Authors and Connections

I have just returned from Festival America – a literary festival held in Vincennes on the outskirts of Paris, and what a wonderful, inspiring, energising and creative time it was. I was there talking about my novel Terre Fragile (aka Unsettled Ground) which was published by Editions Stock in France in January.

It’s the eleventh year of Festival America, which happens every two years. And this year for the first time, the festival also invited authors from Europe, bringing our total to 80. France does literary festivals differently to UK festivals. Firstly, French audiences are so engaged and enthusiastic! That’s not to say that UK audiences aren’t, but they are much smaller. Even for the events with authors who might not be today’s ‘literary stars’ (me included), the turn-out was always more than 100. There are no questions from the audience, but after the event the authors sit in the signing tent behind their piles of books, sometimes for up to three hours. (In the UK, books are sold and signed immediately after each event – sometimes in the bookshop; sometimes just outside the event room, and authors aren’t expected to sit behind their books while potential buyers walk past.) What I really love is that authors and books are selected for panels based on a theme, and that means that authors of my level are often sat next to the ‘literary stars’ talking about a particular subject. The picture above was a panel about ‘What use is literature to the world today’, hosted by a bookseller, with me, Colson Whitehead and Stephen Markley (and our amazing interpreters). I’m certain 95% of the audience were there to see Colson, 4% to see Stephen (sorry Stephen) and 1% me – but that meant lots of people bought my books who had never heard of me before, which is a wonderful thing.

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I got to thank Lauren Groff (and give her hug) for her wonderful quote that she gave for Unsettled Ground. I did three separate school events in one day. I got to meet the whole of my Stock publishing family. I met Donal Ryan for the first time, and we talked about silence in fiction with Antoine Wauters. I sat a seat away from Richard Ford in the signing tent (he’s also published by Editions Stock). I love his writing and I introduced myself and well, we mostly talked about the weather in Paris and Missouri. I was on a panel about families with Szilvia Molnar, and I was so interested in what she had to say that I bought her book (in English – Shakespeare and Co had a stall in the signing tent). And then same happened when I talked about ‘On the margins’ with Jakob Guanzon. I saw a dog on the back of a motorbike, wearing glasses. I met Matilde, my French translator who has been translating my books for eleven years, but this was the first time we’d met in person. I bumped into Susan Barker, who was there with her author partner Glen James Brown. (Susan’s brilliant and scary novel, Old Soul will be published by my UK publisher, Penguin Fig Tree next year.) I laughed about with Colm Tóibín – mostly nonsense – and we pulled silly faces for no reason at all.

Sorry – not sorry – for all the name-dropping. It’s exciting meeting your literary heroes (and have them live up to expectations), but it is even more wonderful to meet so many writers who are new to me and discover their books.

Thank you, Festival America, for the invitation, the fun and the hard work.

Claire Fuller’s Republished Novels with Stunning New Covers by Penguin

Today, 1st August 2024 my first three novels are being republished by Penguin with lovely new covers to match in a green-ish way with Unsettled Ground and The Memory of Animals. And green happens to be my favourite colour. They were all designed by in-house designer Josie Stavely Taylor, but feature artworks by different artists on the covers.

I think they’re all gorgeous. Do you have a favourite?

My debut, Our Endless Numbered Days features a photograph by Caroliina Norontaus. It won the Desmond Elliot Prize for debut fiction, and is about Peggy, who in 1976 at age eight, is taken by her father to a remote European Forest and she isn’t seen again for another nine years.

Swimming Lessons has a painting by Paul Rouphail on the cover. It was shortlisted for the Encore Award for second novels. It’s about Ingrid, who write letters to her husband and hides them in the books he collects, before disappearing from a Dorset beach, and her daughter, Flora who wants to find out what happened to her mother.

Bitter Orange has a painting by Shaun Downey on the cover. The novel has recently been optioned for film / TV, and it’s about 39-year-old Francis who is commissioned to survey the follies in the gardens of an English country house in 1969. Once there she falls in love with a bohemian couple, with dire consequences.

If you decide to buy any of these, whether from your local independent bookshop (and thank you if you do) or online, you might have to specify that you’d like to receive the new cover.

The Memory of Animals, a novel about love and survival is published in paperback in the UK

The Memory of Animals is published in paperback in the UK today, 4th July. There might be other things on people’s minds on the day of the general election, but I’m delighted to see this novel about love, survival and octopuses out in the world. I’ve heard from my editor at Fig Tree Penguin that lots of copies have gone out to Waterstones, and independent bookshops, and of course there are plenty of places online to buy a copy.

Click here to buy a copy from Bookshop.org

Newsletter giveaway
I’ll be running a giveaway for a signed copy to a UK-based reader on my newsletter. So sign up here.

Instagram collaborations
I’m very excited to be collaborating with four fantastic authors over the next four weeks on Instagram to giveaway copies of their novels and The Memory of Animals. I’ll be starting next week with Sarah Freethy, the author of the fabulous The Porcelain Maker, and culminating in a very exciting giveaway in conjunction with my publisher. So do follow me on Instagram.

Book club visits
If your book club would like to read The Memory of Animals (lots of meaty themes and issues to discuss) I’d be delighted to visit your group when you meet to discuss it, either in person if you’re in Hampshire, or online. All I ask in return is a donation (of any amount) to Read Easy Winchester – an organisation that helps adults learn to read. Drop me a line to discuss further.

Book club questions and signed bookplates
If you would like book club questions for The Memory of Animals (or any of my previous novels), or signed bookplates, please get in touch. No charge, but I would appreciate a small donation to Read Easy Winchester.

Event in Wendover, Buckinghamshire
I’m delighted to be celebrating the publication of the paperback with an event at Real Magic Books in Wendover, Buckinghamshire on 9th July. Tickets and more information here.