Meet Andrev Walden: Author Event at Mr B’s Emporium, Bath

Calling all readers in Bath and beyond! On 7th October I’ll be at Mr B’s Emporium to interview Andrev Walden, the author of Bloody Awful In Different Ways. I loved this book.

Buy a ticket for the event.

This is what I had to say about it when I first read it:

Bloody Awful in Different Ways by Andrev Walden is so good. It’s already on my top ten reads of the year and I can’t imagine it getting bumped. Starting in 1983 seven-year-old Andrev has seven ‘dads’ in seven years, beginning with the one he thought was his biological father who turns out not to be, we meet all of the men that Andrev’s mother dates or moves in with, or move in with her. None of them seem to want Andrev or his half-siblings around. There is domestic violence but there is also humour, and my goodness Andrev Walden (an acclaimed Swedish journalist) can write. Andrev has told me on Instagram that even though it’s called a novel, it’s ‘a very true story’, and it certainly reads like one. Translated from Swedish by Ian Giles. Darkly funny, and comically tragic. An absolute gem. I loved it. Highly recommended.

This is what Mr B’s Emporium has to say:

Already a phenomenal international bestseller with a film adaptation in the works, Bloody Awful in Different Ways won the the 2023 August Prize, Sweden’s most prestigious literary award. This vivid and joyful novel follows a young boy who has seven fathers in seven years, and has already been loved by our bookseller Sue, who describes it as ‘poignant, funny and bloody brilliant in every way.’

And a bit about Andrev:

Andrev Walden is an acclaimed Swedish journalist and columnist who has worked for Dagens Nyheter and Aftonbladet. In 2017, he became the first columnist to be nominated for the Swedish Grand Prize for journalism, praised for his ability to ‘find the everyday drama in the big questions’, and to make us ‘laugh and see the world, the family and ourselves in a new and slightly wiser light’. He lives in Stockholm.

Buy a ticket for the event.

Hope to see you in Bath!

Join Our Oxford Novel Writing Retreat—Limited Places!

I’m very excited to let you know that fellow author and Oxford University creative writing tutor, Lucy Atkins and I are running a one-day novel writing retreat in Oxford on 13th November 2025. We’ll be teaching character, setting, inspiration, plot and lots more. It’s going to be intense, informative and fun. Places are very limited, so book yours quickly. Click here to find out more.

Join Me for Writing Sessions in Dorset, Devon and Cornwall

Currently, for the rest of 2025 I’ve got three Creative Writing teaching sessions booked in. They are all in person, so apologies for all those who live a bit further than the South / South West of England. Keep a look out for an online course in the near future.

27th June: Bournemouth. I’m teaching a two and a half hour session on plot as part of Bournemouth Writing Sanctuary. The event last three days and includes teaching from other writers including Judith Heneghan, writing time, lunch and dinner, and networking with other writers. More information here.

4th July: Penzance. I’m teaching a two-hour workshop on the Art of Editing Your Own Work. More information here. This is part of the Penzance Literary Festival, where I’m also being interviewed about my writing. Book for this event.

24th November to 29th November: I’m back at Arvon, but this time in Totleigh Barton, Devon, teaching Editing Fiction and Non-fiction together with Chatto & Windus (Penguin) Editor, Kaiya Shang. Find out more.

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Pre-Order ‘Unquiet Guests’: Spooky Stories Await

I’m delighted that I have a short ghost story included in this spooky anthology, Unquiet Guests, and alongside such amazing authors as Chuck Palahniuk, Kirsty Logan, Irenosen Okojie, and Alison Moore. The book will be published by Dead Ink Books at the end of October 2025. Dan Coxon is the editor and commissioned us each to write a story about a haunted house.

I started my story some time ago about two sisters who arrive at their father’s house, after he has died. One of the sisters has the key and is waiting for the other. About a month after I’d written the first draft, devastatingly my own father died. Two days later I realised I was outside his place with the key, waiting for my sister to arrive…

The book is available to pre-order now, in the UK (I’m not sure whether it will be published in other countries), either via Dead Ink Books, or Waterstones, and it will drop through your letterbox at the end of October.

Happy reading.

Hunger and Thirst: My New Novel Coming in February 2026

Delighted, excited and terrified… My sixth novel, Hunger and Thirst will be published by Fig Tree (Penguin) in February 2026 in the UK and Commonwealth, Tin House in the US, and Bond Street Books (Doubleday) in Canada.

“Ursula, a renowned, reclusive sculptor find the past she has been running from catching up with her when a documentary-maker begins to dig into the unsolved disappearance of someone Ursula knew back in the 1980s. Set in and around a local art school and steeped in the atmosphere of the horror films Ursula watches, it’s a compelling and chilling story of loneliness and possession, of the dangerous line between wanting and needing and of how far a person will go to belong.”

It’s been great fun rewatching all my favourite horror films from the 1970s and 80s, and drawing on my memories from that time, when I was an art student studying sculpture and living in what was essentially a squat. Ghost stories and horror novels were the first books I read as a teenager, and it’s been interesting (and difficult) to see whether I can write something a little bit scary.

Creative Collaborations: Flash Fiction Inspired by Burnham

Last year I was delighted to be invited by Buckinghamshire Culture to get involved in their Village Stories project. As well as commissioning a photographer and a choreographer to take photographs of the people from three Buckinghamshire villages, three writers were asked to work with the villagers on writing projects. I was given the village of Burnham, near Slough, and during a week in September 2024, I delivered three flash fiction workshops to community groups, and one open session in Burnham Library.

I took photographs of the village and handed these out as inspiration for the pieces of writing that were created by Slough Writers (a group which meets in Burnham), Men in Sheds, Burnham Grammar, and the library session. And I was amazed and delighted by the pieces which were produced.

In addition, I was commissioned to write two pieces of flash fiction – also inspired by the photos I took, and these, together with the villages photos and the work by the other writers were produced in a booklet.

In November we had a celebratory evening in Burnham where the village photographs – inspired by Bruegel, were unveiled, and several people who had attended my flash fiction workshops came along and were brave enough to read out their pieces.

It was a wonderful project to be a part of.

If you’re interested in me collaborating with anything similar, please get in touch.

Free Creative Writing Workshop in Wantage

Set free your creativity and dive into a FREE two-hour creative writing workshop with me on Saturday 30th November in Wantage, Oxfordshire. Whether you’re an experienced writer or a complete beginner, this course will ignite your imagination and hone your storytelling skills and have you crafting a (very) short story using photographs as your starting point.

We’ll look at a couple of examples of published flash fiction stories to discuss what makes them work, and then you’ll get straight down to doing some writing. Using photographs supplied by me, I’ll guide you through ways to start your piece, think about character, action, and how to end it. And then briefly we’ll consider how to edit what you’ve written.

The workshop is free but spaces are limited and you need to book in advance by emailing wantage.library@oxfordshire.gov.uk or phoning 01235 762291

Hope to see you there! (Bring your own laptop or notebook and pen.)

(If you’re interested in me coming and teaching this workshop in your local library or independent book shop, then get in touch.)

Join the Arvon Editing Retreat in January 2025

I’m delighted that I’ll be back at Arvon in January 2025 teaching Editing Fiction and Non-fiction again.

Are you currently editing a novel or some non-fiction? In January 2025 I’ll be back teaching on an Arvon residential writing week in Shropshire on how to edit fiction and non-fiction, this time alongside fellow writer, Mike Parker. Mike’s books include the bestselling Map Addict, republished last year, On the Red Hill, which was Highly Commended for the Wainwright Prize and won the Wales Book of the Year, and his most recent, All the Wide Border, named by Waterstones as one of the best ten travel works of 2023.

And I’m very excited that our guest author, visiting for an evening discussion is Kit de Waal, author of novels, My Name Is Leon, The Trick to Time, as was short stories.

From a developmental review to the fine detail of the line edit, from comprehensive rewrites to the final polish, using exercises, readings, discussions and tutorials, we’ll share techniques, tips and best practices which will help you hone your voice, clarify your thoughts and transform your writing. Along the way, we’ll talk about the detail of hitting word-editing counts, creating and working with book maps, and how to break down your edit into manageable tasks. You will leave with a better understanding of how to know what needs changing, and how to know when it’s done. Whether you’re already published or just starting out, this course is for anyone with a draft that they want to bring to its best.

The week includes group teaching, workshops, one-to-ones with the tutors, as well as evening activities, accommodation and all meals. This writing week is held at wonderful house called The Hurst set in beautiful and inspirational grounds in Shropshire.

Arvon residential weeks are immersive, energising, and great fun!

More information / to book.

Insights from Festival America 2024: Authors and Connections

I have just returned from Festival America – a literary festival held in Vincennes on the outskirts of Paris, and what a wonderful, inspiring, energising and creative time it was. I was there talking about my novel Terre Fragile (aka Unsettled Ground) which was published by Editions Stock in France in January.

It’s the eleventh year of Festival America, which happens every two years. And this year for the first time, the festival also invited authors from Europe, bringing our total to 80. France does literary festivals differently to UK festivals. Firstly, French audiences are so engaged and enthusiastic! That’s not to say that UK audiences aren’t, but they are much smaller. Even for the events with authors who might not be today’s ‘literary stars’ (me included), the turn-out was always more than 100. There are no questions from the audience, but after the event the authors sit in the signing tent behind their piles of books, sometimes for up to three hours. (In the UK, books are sold and signed immediately after each event – sometimes in the bookshop; sometimes just outside the event room, and authors aren’t expected to sit behind their books while potential buyers walk past.) What I really love is that authors and books are selected for panels based on a theme, and that means that authors of my level are often sat next to the ‘literary stars’ talking about a particular subject. The picture above was a panel about ‘What use is literature to the world today’, hosted by a bookseller, with me, Colson Whitehead and Stephen Markley (and our amazing interpreters). I’m certain 95% of the audience were there to see Colson, 4% to see Stephen (sorry Stephen) and 1% me – but that meant lots of people bought my books who had never heard of me before, which is a wonderful thing.

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I got to thank Lauren Groff (and give her hug) for her wonderful quote that she gave for Unsettled Ground. I did three separate school events in one day. I got to meet the whole of my Stock publishing family. I met Donal Ryan for the first time, and we talked about silence in fiction with Antoine Wauters. I sat a seat away from Richard Ford in the signing tent (he’s also published by Editions Stock). I love his writing and I introduced myself and well, we mostly talked about the weather in Paris and Missouri. I was on a panel about families with Szilvia Molnar, and I was so interested in what she had to say that I bought her book (in English – Shakespeare and Co had a stall in the signing tent). And then same happened when I talked about ‘On the margins’ with Jakob Guanzon. I saw a dog on the back of a motorbike, wearing glasses. I met Matilde, my French translator who has been translating my books for eleven years, but this was the first time we’d met in person. I bumped into Susan Barker, who was there with her author partner Glen James Brown. (Susan’s brilliant and scary novel, Old Soul will be published by my UK publisher, Penguin Fig Tree next year.) I laughed about with Colm Tóibín – mostly nonsense – and we pulled silly faces for no reason at all.

Sorry – not sorry – for all the name-dropping. It’s exciting meeting your literary heroes (and have them live up to expectations), but it is even more wonderful to meet so many writers who are new to me and discover their books.

Thank you, Festival America, for the invitation, the fun and the hard work.