25% Off Hunger & Thirst Pre-orders at Waterstones

Pre-order Hunger and Thirst from Waterstones today and get 25% off! Offer ends 17th October. Just enter OCTOBER25 at checkout. And you’ll get a sneaky preview of the UK cover, which I’m not officially revealing yet.

The book will land on your doormat in early May 2026, and you won’t pay until it’s dispatched. (And if for some reason the price goes down before then, you’ll pay the lower price.)

Pre-orders help books and authors enormously The more pre-orders, the more likely book shops are to stock Hunger & Thirst, and the more they stock, the more readers will see it and hopefully buy it. I’m hugely grateful for every pre-order.

Hunger and Thirst is about Ursula, who at sixteen accepts a dare from her best friend to kill someone and when she does, she is haunted – literally haunted – for the rest of her life.

Pre-order Hunger and Thirst from Waterstones.

US Cover of Hunger and Thirst, Revealed!

I’m delighted to reveal the US cover of Hunger and Thirst which will be published by Tin House, an imprint of Zando, on 2nd June 2026. I love it so much: the boldness of the yellow font, the sculpture (the main character in the book is a sculptor), and the flies… I won’t tell you how the flies come into it; you’ll have to read it find out.

Yesterday, CrimeReads revealed the cover on their website, together with a piece I wrote about why this is the perfect cover – designed by Beth Steidle – for Hunger and Thirst.

They also published an excerpt from the beginning of the book, so if you’d like a taster before you pre-order, you can read it here.

And if you’re in the US here’s a list of places that you can pre-order it from, or of course you local independent bookstore.

For those in the UK and Canada, you’ll have to wait a little longer to see these covers. But let me know what you think of this one!

About the book
1987: After a childhood trauma and years in and out of the care system, sixteen-year-old Ursula finds herself with a new job delivering mail at a local art school, a bed in a halfway house, and—delightfully— some new friends, including wild-child, Sue. When Ursula is invited to join a squat at The Underwood, a mysterious house whose owners met a terrible end, she can’t resist this hodgepodge family. But as Sue’s behavior and demands become more extreme, Ursula who has always been hungry—for food—and more importantly for love, acceptance and belonging, carries out her friend’s terrible dare. And, for this, Ursula finds herself literally haunted.

Thirty-six years later, Ursula is a renowned, reclusive sculptor living under a pseudonym in London when her identity is exposed by true-crime documentary-maker, Emma Zahini who is digging into an unsolved disappearance. But it is not only the filmmaker who has discovered Ursula’s whereabouts, and as her past catches up with her present, Ursula must work out whether the monsters are within her or without.

Pre-order Hunger and Thirst in the US.

Join Our Oxford Novel Writing Retreat—Limited Places!

I’m very excited to let you know that fellow author and Oxford University creative writing tutor, Lucy Atkins and I are running a one-day novel writing retreat in Oxford on 13th November 2025. We’ll be teaching character, setting, inspiration, plot and lots more. It’s going to be intense, informative and fun. Places are very limited, so book yours quickly. Click here to find out more.

Five Things I Can’t Live Without

I’m revisiting some older articles, and this is one, Five on Friday, I wrote for Jill’s Book Cafe Blog back in 2023 just after my fifth novel, The Memory of Animals was published (I’ve edited it slightly to update links etc). Five on Friday takes the format of five questions which require five answers. Read on to find out five things most people don’t know about me, five things I’d still like to achieve, and more.

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The Friend by Sigrid Nunez

Five big stars for The Friend by Sigrid Nunez. I chose this book for the book club I run at the Cabinet Rooms in Winchester. It was pretty divisive, with lots of people actively disliking it, but I adored it.

An unnamed narrator is a writer and creative writing teacher living in Manhattan when a close friend of hers – someone she had a brief affair with and is also a writer and teacher – kills himself. The narrator is persuaded by the man’s widow to look after his Great Dane, Apollo even though her apartment doesn’t allow pets. This rather slight story is interspersed with musings about creative writing teaching, loss, suicide, friendship and much more. My father had recently taken his own life when I read it, and rather than it distressing me because of the links (I am still distressed by everything, so a book makes no difference) it brought everything into focus.


And it made a brilliant book club book even though many people hated it. There was so much to discuss and some of the things other members pointed out were brilliantly revealing.

Buy it from Bookshop.org here.

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What We Can Know by Ian McEwan

I love how whatever Ian McEwan writes surprises me. He hasn’t settled for a genre and I like that it feels as though he’s still playing and enjoying himself.

In What We Can Know, which will be published in September, it’s about 100 years in the future from now, the seas have risen and in England only islands remain. Tom, an academic, is obsessed with a lost poem from about 2014 written by a famous poet for his wife, Vivian, whom Tom also obsesses over to the detriment of his own relationship with Rose.

The first part of the book is Tom’s search, both in surviving papers and then via an actual treasure hunt (I love this bit especially), where Tom tries to piece together where the poem might be and what it is about. The second of the novel is the ‘true’ story, which I also really enjoyed, although none of it came as a revelation (maybe it wasn’t supposed to). But of course, there is throughout the brilliant McEwan writing, and the easy story-telling. I really enjoyed this.

Does this sound appealing? Are you going to be reading it?

Buy it from Bookshop.org UK here.

7 Gripping Novels Full of Suspense

This article was originally written for Crime Reads.

Mysteries or Suspense

Publishers, booksellers, and many readers like to know the genre of a novel. Where will it sit on the bookstore shelf? How to categorise it online? Which types of readers will it appeal to?

Sometimes it’s easy to slot a book into a category or genre: romance, crime, or indeed, mystery. But there are lots of novels which are too slippery for that. They have plenty of suspense and often a good dose of secrets and the unexplained to propel the story forward, even though their premise is not built around a central mystery which follows a trail to a satisfying conclusion.

My novels have often been categorised as mysteries and although I’m okay with that, I don’t write them with that genre in mind. But I do try to use suspense in a number of ways. In my fourth novel, Unsettled Ground, a close reader might see some clearly placed clues in the first chapter, but whether a reader does spot them or not, the suspense which builds and the revelations that are scattered throughout the novel are more about the protagonist, Jeanie, discovering these surprises, rather than the reader.

One way a skilled writer can create suspense is to make us – the readers – develop it in our own minds. Leave just enough unsaid, and we will fill in the gaps. And the images in our heads are always worse than the reality. That’s why a writer or a screenwriter should never actually show the monster.

Another way to create suspense is to not allow the reader inside the head of the character who is able to provide the answers, and instead show us only glimpses through the eyes of others. Or alternatively, have the reader so close inside the protagonist’s head we experience their confusion and are kept in the dark for as long as they are.

Sometimes writers will show us the “terrible thing” right at the start of the book, and then circle back in time, as with The Secret History by Donna Tartt. There’s no mystery about what was done or who did it, but the suspense is created by making us guess when it is going to come and why the terrible thing was done.

Whichever suspense techniques I might use, when a reader contacts me after they’ve read one of my books to tell me that the suspense kept them reading long into the night, I know I’ve done my job.

Here are seven recommended novels which aren’t mysteries but are full of suspense. Click on the images to purchase on Bookshop.org where available:

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From Editing to Publication: How a Book makes it onto Book Shop Shelves. Copyedits

This is the second part in a series about how my next book, Hunger and Thirst moves through the process of editing to arriving onto bookshop shelves. The first part covered structural and line edits with my UK and US editors at Fig Tree/ Penguin and Tin House / Zando. And in this part I’m going to be looking at copyedits which I’ve just finished checking for my US editor.

What are copyedits?

Copyedits are done on a novel to check for inconsistencies, missing words, repetition of words, that the publisher’s house style is being used, and many more things. Is a character’s eyes blue at the start of the book and brown at the end? Are capital letters and italics used in the right place? I’ve even had a copyeditor spot a plot hole in a previous book that no one else had. They are life savers.

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Hunger and Thirst: My New Novel Coming in February 2026

Delighted, excited and terrified… My sixth novel, Hunger and Thirst will be published by Fig Tree (Penguin) in February 2026 in the UK and Commonwealth, Tin House in the US, and Bond Street Books (Doubleday) in Canada.

“Ursula, a renowned, reclusive sculptor find the past she has been running from catching up with her when a documentary-maker begins to dig into the unsolved disappearance of someone Ursula knew back in the 1980s. Set in and around a local art school and steeped in the atmosphere of the horror films Ursula watches, it’s a compelling and chilling story of loneliness and possession, of the dangerous line between wanting and needing and of how far a person will go to belong.”

It’s been great fun rewatching all my favourite horror films from the 1970s and 80s, and drawing on my memories from that time, when I was an art student studying sculpture and living in what was essentially a squat. Ghost stories and horror novels were the first books I read as a teenager, and it’s been interesting (and difficult) to see whether I can write something a little bit scary.

Join the Arvon Editing Retreat in January 2025

I’m delighted that I’ll be back at Arvon in January 2025 teaching Editing Fiction and Non-fiction again.

Are you currently editing a novel or some non-fiction? In January 2025 I’ll be back teaching on an Arvon residential writing week in Shropshire on how to edit fiction and non-fiction, this time alongside fellow writer, Mike Parker. Mike’s books include the bestselling Map Addict, republished last year, On the Red Hill, which was Highly Commended for the Wainwright Prize and won the Wales Book of the Year, and his most recent, All the Wide Border, named by Waterstones as one of the best ten travel works of 2023.

And I’m very excited that our guest author, visiting for an evening discussion is Kit de Waal, author of novels, My Name Is Leon, The Trick to Time, as was short stories.

From a developmental review to the fine detail of the line edit, from comprehensive rewrites to the final polish, using exercises, readings, discussions and tutorials, we’ll share techniques, tips and best practices which will help you hone your voice, clarify your thoughts and transform your writing. Along the way, we’ll talk about the detail of hitting word-editing counts, creating and working with book maps, and how to break down your edit into manageable tasks. You will leave with a better understanding of how to know what needs changing, and how to know when it’s done. Whether you’re already published or just starting out, this course is for anyone with a draft that they want to bring to its best.

The week includes group teaching, workshops, one-to-ones with the tutors, as well as evening activities, accommodation and all meals. This writing week is held at wonderful house called The Hurst set in beautiful and inspirational grounds in Shropshire.

Arvon residential weeks are immersive, energising, and great fun!

More information / to book.