Novel Writing Masterclass: 14th April 2026, Winchester

A class of creative writing students sit around a desk working on their novels.

with Lucy Atkins and Claire Fuller

Have you started writing a novel but now you’re confused? Unsure? Bogged down? Or just want to finish?

Join two bestselling authors for an expert-led one-day Novel Writing Masterclass in Winchester, Hampshire.

Following their successful, sold-out masterclass in 2025, Oxford University Creative Writing tutor and author, Lucy Atkins, and Costa Prize Winning author and creative writing teacher, Claire Fuller are once again teaching one-day novel writing masterclass.

What makes this Novel Writing Masterclass so unique? 

Creative writing courses can be, at best, underwhelming – at worst, downright misleading. This one-day masterclass is different.  Lucy and Claire not only have extensive experience teaching Creative Writing at the very highest level, they have a proven track record as published authors of bestselling, critically-acclaimed, award-winning novels.

In short, they know what makes a good book – and they know how to teach you!  

With ten published novels between them, they also understand how complex and difficult writing can be. This masterclass, which takes place in central Winchester, Hampshire, offers a unique opportunity to learn from and ask questions of two experienced writers and Creative Writing tutors. For this reason, places are strictly limited to 14.

Who is this Masterclass for? 

This day is aimed specifically at writers who have started writing a novel but not yet finished. 

You will learn to:

  • Understand how a plot that builds can move your writing forward
  • Create compelling characters
  • Analyse your first 30 pages and see what is and isn’t working
  • Master the all-important skill of self-editing 
  • Prepare your novel so that is is ready to send out to literary agents

You’ll leave inspired and energised with a toolbox of practical tips, strategies and ideas that you can apply to your own work. And perhaps most importantly, you’ll gain renewed enthusiasm, energy and a sense of creative direction. 

About Lucy
Lucy teaches on the Creative Writing Masters degree at the University of Oxford. She is the author of five novels, including the bestselling Magpie Lane, and most recently Windmill Hill, a summer book pick for both the Guardian and the Observer. Find Lucy’s ‘Talking About Writing’ sessions with Claire and other well-known authors on Instagram @lucyatkinswriter

About Claire
Claire is the author of five novels including the Costa Novel Prize-winning and Women’s Prize-shortlisted novel, Unsettled Ground. Her sixth novel, Hunger and Thirst, will be published in May 2026. She has taught creative writing for many years for various organisations including The Women’s Prize, Arvon, literary festivals and creative writing academies. Her teaching is said to be fun but also very practical, so that students leave with concrete methods for improving their own writing. Follow Claire on Instagram.

What previous Novel Writing Masterclass students said about the day

I was particularly interested in the Plotting and Character modules and seeing these elements really being broken down. It was great to see the plot/shape of a novel being explained visually on the flipchart. It made me aware of how I should be approaching these areas in my own writing.

I just wanted to say a huge thank you for yesterday’s brilliant and inspiring workshop. You both put so much thought and energy and generosity (sharing your knowledge) into it.

Such a privilege to be able to learn so much from two authors I admire immensely, especially as I’m just setting out on this journey. You should both be very proud of how the day went and I really appreciate all the thought and work you put into creating the content. I thought you both worked really well together and split up the modules well so we weren’t listening to one voice for too long at a time.

A big thank you to you both for your time and the inspiration from the course.

Further information

This intensive day is structured around mini workshops taught by both Claire and Lucy, each including writing exercises and time for discussion. There will be opportunities to put your questions to both tutors, and meet your fellow writers.

The price includes sustaining snacks, delicious cakes, hot drinks and a tasty lunch. 

The Arc is located in central Winchester only 10 minutes walk from the nearest large carpark (Tower Street), and also only 10 minutes walk from Winchester station. 

We look forward to welcoming you to our Masterclass! 

How to Lay Out Your Manuscript

As the writer of five – no six! – novels it’s important to me to lay out my manuscripts correctly and by that I mean clearly and consistently.

But as a judge of many writing competitions and as a creative writing teacher, I’ve seen many pieces of creative writing with the text laid out in a way that makes it difficult to read: incorrect indents, asterisks all over the place, but the most common error is inconsistent and confusing line spacing. Writers often end up with bigger gaps between paragraphs than between the lines within a paragraph, which makes it appear as though each paragraph is the start of a new scene or it’s meant to stand alone. (Note – that this layout in an online post is the opposite of what you’re aiming for with a manuscript for a novel.)

If a literary agent, writing competition, or journal specifies layout guidelines, you should always follow these, but if they don’t, it’s best to follow the conventional layout, similar to the layout you’d find in any contemporary, non-experimental novel.

This article will show you how to get your formatting right using Word on a PC. It’s how I do it, and there might of course be a better, easier way. If there is, please do let me know in the comments.

And if anyone would like to let me know how to do the same on a Mac, I’d be delighted to include it for all those Mac users out there.  

Layout convention

  • Font: Times New Roman
  • Font size / colour: 12 point / black
  • Spacing: Double
  • No extra line spaces between paragraphs
  • An indent at the start of each paragraph (including at the start of each line of dialogue) except –
  • No indent at the start of the first paragraph of a chapter or the beginning of a new scene
  • An extra line space between paragraphs when starting a new scene (a scene break)
  • If that scene break happens at the end of a page include a centred asterisk (*) within the break. This will either be at the end of the page or the beginning of the next (this helps readers know that new scene starts on a new page)
  • Page numbers wherever you prefer (Use ‘Insert’ Page Number)
  • You could put the title of the piece in the top right hand corner of every page, but if submitting for competitions check the guidelines (Use ‘Insert’ Header)
  • If you’re entering a competition don’t include your name or initials anywhere on the document (unless specified in the rules)

How to Format Paragraphs in Word on a PC

If you are starting with a new blank document

  • Open a new blank document in Word
  • Within the document, either right-hand click to bring up a box from which you can select ‘Paragraph’
  • Or in the top ribbon select ‘Layout’, and in ‘Paragraph’ click the little box in the bottom right hand corner
  • This will open up a ‘Paragraph’ box
  • Under the first tab, ‘Indents and Spacing’ set the indentation of Left and Right to zero.
  • Under ‘Special’ select ‘First line’ from the drop down box.
  • Make sure ‘By’ is 1.27cm
  • Under ‘Spacing’ set Before and After to zero
  • Under ‘Line spacing’ select ‘double’ from the drop down box

Here’s what it looks like:

  • At the bottom you can decide whether to ‘Set As Default’ for this document only or all documents based on the ‘Normal’ template. I would recommend selecting one of these. (Selecting the latter means that all your future ‘Normal’ documents will adopt this style.)
  • Click OK

Now, every paragraph you write in the document will be indented, which is not what you want. What I do now is start to write, and when I’ve written more than one paragraph (this is important), at some point I go back to the beginning of each chapter and the start of each new scene, put my cursor in front of the first word, and press backspace. This will remove the indent. (Note – if you haven’t set this formatting as the default for this document or for all documents based on the ‘Normal’ template, then removing the indent before you have written more than one paragraph will mess up the formatting.)

If you have already written some or all of your document

  • Highlight the whole document (either click and drag down from the start, or if your keyboard has a number pad on the right – hold down Ctrl and press the number 5 – this should highlight everything)
  • Follow the instructions above from the second bullet point.

If some of your formatting goes wrong

Sometimes my formatting gets in a muddle. If you have some formatting that is correct in your document and some that isn’t, you can highlight two or more paragraphs of the correct formatting, go to the Home tab in the top ribbon, and click ‘Format Painter’ in the ‘Clipboard’ section. When you move your cursor over the text you’ll see a paint brush come up beside it. Move your cursor to the start of the section of text that needs its formatting sorted out, click and drag to highlight all of the incorrectly formatted text. Release the cursor, and the correct formatting should be applied.

Scene breaks and asterisks

Inserting asterisks should be the very last thing you do before you submit your piece of work. If you do it earlier and then continue editing (removing or adding text), where you need to put your asterisks will change.

Using asterisks to help indicate a scene break is only necessary if you know your reader is going to print out the document to read it. If they are only reading on screen you don’t need any asterisks. If you don’t know if they will print it, best to include asterisks.

But imagine they do print out your work. Imagine a new scene starts at the very top of a new page. The start of the scene won’t have an indent (you’ll have removed it), but because one scene ends on the previous page and the new one starts at the top of the next page it is easy to miss that a new scene has started. To indicate this you need to insert a centred asterisk between the two scenes. It might sit at the end of the first page or at the beginning of the next – it doesn’t matter. But you must insert your asterisks from the beginning of the document, wherever you notice a page break between scenes. Inserting an asterisk will push all your text down by one line – which means that further on in the document you might be creating new places that need asterisks or getting rid of some that did.

How to use this formatting for scene breaks

When you’ve formatted your narrative in this way, and your narrative has a large jump – moving to a new scene (a character in a new place,  a different character, or a different time period) – you simply need to insert an extra return at the end of the previous scene and continue writing your new scene. This will create a single extra line space between scenes – letting the reader know we’ve moved to a new scene – while keeping all other line spaces as just double.  

But, using the formatting describe above, your new scene will start with an indent. Only when you’ve written a couple more paragraphs at least should you go back and remove the indent at the start of the scene (by placing your cursor before the first word and pressing backspace).

If this seems like a rather clunky way of getting rid of unwanted indents, I agree. I’m sure there must be a way to set this up as a default (no indent after a double return), but I don’t know how. If you do, please let me know!

Font

You need to follow a similar process to set your font style and size as you’ve done with formatting.

  • Right hand click and go to Font or on the Home tab in the top Ribbon select the small righthand box in Font.
  • Here you’ll be able to select your font and size (Times New Roman and 12 point black is recommended) and then set it as the default for the document or default for ‘Normal’ style.

I hope this is helpful. Please let me know if anything is incorrect or poorly explained.

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Buy my books

Find out more about me and my six novels, how they’re great for book clubs, and where to buy them: Hunger and Thirst (forthcoming), The Memory of Animals, Unsettled Ground, Bitter Orange, Swimming Lessons and Our Endless Numbered Days.