This interview about The Memory of Animals with Mark Reynolds was first published in Bookanista in April 2023.
The novel opens like a kind of lockdown fever dream. When and where did you conceive it, and what were the first lines you wrote?
I started it in September 2019 as a few pieces of flash fiction about a pandemic, so four months before I heard any mention of an actual pandemic and six months before the UK’s first lockdown. I’ve always loved reading post-apocalyptic novels and so I thought I’d write one. Plus one of my son’s friends told me about Flu Camp, where he’d been part of a flu vaccine trial which involved being isolated in a room in a unit for two weeks.
I do still have the first lines:
In the treatment room I lift up a chair and shove its legs against one of the locked glass cabinets. I expect it to be made of some kind of hard plastic, but it’s glass and it shatters. I wait to see who will come, Kit or Alice, or Marjorie. James is too ill to get out of bed. I should go and check on him, but I don’t. We hadn’t broken into this one because we can see what it contains: bandages, eye-patches, treatment for stubborn earwax and verrucas.
The idea of this was used in a scene in the final book but it was substantially changed, as were Kit, Alice, Marjorie and James!
How would you sum up the book in around 25 words?
Neffy, a 27-year-old marine biologist volunteers for a vaccine trial. Following a bad reaction, she finds herself alone with four strangers in the midst of a pandemic. Plus, octopuses!
This novel was first announced as Body of Water. What brought about the title change?
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